On the closing day of the TEFAF New York fair, I returned to the Park Avenue Armory to view some galleries upstairs in the period rooms. Michael Beck and Ute Eggeling, the founders of the eponymous gallery from Düsseldorf, talked about the gallery's origin in East Germany and their cooperation with John McEnroe in New York. Michael Beck explained why they are not Basel people, but TEFAF people, and gave me some background on their current presentation "Cómo pretexto Picasso" by Manolo Valdés. Next, I spoke with art historian from Axel Vervoordt, a Belgian gallery. I also was pleasantly surprised by my new discovery - a beautiful gallery from Munich, Galerie Thomas. Silke Thomas, the founder's daughter and art historian, gave me a glimpse into the art scene of the last century, the German Expressionism, Wassily Kandinsky and The Blue Rider, et al. All three galleries weathered the pandemic pretty well, and have had a successful show in New York. And my final note is on Creative Spaces, the initiative at TEFAF designed for displaying select artworks in the areas throughout the show to "increase the visual excitement of the fair environment."
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